This is what civilization has done to barbarism
Eto šta je civilizacija učinila varvarstvu
Апстракт
This paper examines the problem of spoliation and confiscation of works of art and antiques as traditional consequences of war, and their transfer from the original context and its social consequences, by providing specific examples from the history of art. It also aims to examine certain current issues of the restitution of works of art and antiques to the countries of their origin. In the example of pillage and plunder of the Summer Palace in Beijing by the English and French troops, which marked the Second Opium War, the author specifically analyzes the views of Victor Hugo on vandalism, and his standpoint as the representative of the French Romanticism in the defence of Chinese art and civilization.
U radu se kroz specifične primere iz istorije umetnosti sagledava problem pljačke i konfiskacije umetničkih dela i antikviteta kao tradicionalne posledica rata, njihovo prenošenje iz izvornog konteksta i društvene posledice. Razmatraju se i pojedina aktuelna pitanja restitucije umetničkih dela i antikviteta u zemlje njihovog porekla. Na primeru pustošenja i pljačke Letnje palate u Pekingu (1860) od strane engleskih i francuskih trupa, koje su obeležile Drugi opijumski rat, autor posebno analizira odnos Viktora Igoa prema vandalizmu i poziciju ovog predstavnika francuskog romantizma u odbrani kineske umetnosti i civilizacije.
Кључне речи:
art / spoils of war / spoliation / confiscation / The Summer Palace in Beijing / plunder / Victor Hugo / umetnost / ratni plen / spolijacije / konfiskacije / Letnja palata u Pekingu / pljačka / Viktor IgoИзвор:
Bezbednost, Beograd, 2017, 59, 3, 53-78Издавач:
- Ministarstvo unutrašnjih poslova Republike Srbije, Beograd
Финансирање / пројекти:
- Projekat Kriminalističko-policijske akademije: Kriminalitet u Srbiji i instrumenti državne reakcije
Институција/група
JakovTY - JOUR AU - Samardžić, Renata PY - 2017 UR - http://jakov.kpu.edu.rs/handle/123456789/777 AB - This paper examines the problem of spoliation and confiscation of works of art and antiques as traditional consequences of war, and their transfer from the original context and its social consequences, by providing specific examples from the history of art. It also aims to examine certain current issues of the restitution of works of art and antiques to the countries of their origin. In the example of pillage and plunder of the Summer Palace in Beijing by the English and French troops, which marked the Second Opium War, the author specifically analyzes the views of Victor Hugo on vandalism, and his standpoint as the representative of the French Romanticism in the defence of Chinese art and civilization. AB - U radu se kroz specifične primere iz istorije umetnosti sagledava problem pljačke i konfiskacije umetničkih dela i antikviteta kao tradicionalne posledica rata, njihovo prenošenje iz izvornog konteksta i društvene posledice. Razmatraju se i pojedina aktuelna pitanja restitucije umetničkih dela i antikviteta u zemlje njihovog porekla. Na primeru pustošenja i pljačke Letnje palate u Pekingu (1860) od strane engleskih i francuskih trupa, koje su obeležile Drugi opijumski rat, autor posebno analizira odnos Viktora Igoa prema vandalizmu i poziciju ovog predstavnika francuskog romantizma u odbrani kineske umetnosti i civilizacije. PB - Ministarstvo unutrašnjih poslova Republike Srbije, Beograd T2 - Bezbednost, Beograd T1 - This is what civilization has done to barbarism T1 - Eto šta je civilizacija učinila varvarstvu VL - 59 IS - 3 SP - 53 EP - 78 DO - 10.5937/bezbednost1703053S ER -
@article{ author = "Samardžić, Renata", year = "2017", abstract = "This paper examines the problem of spoliation and confiscation of works of art and antiques as traditional consequences of war, and their transfer from the original context and its social consequences, by providing specific examples from the history of art. It also aims to examine certain current issues of the restitution of works of art and antiques to the countries of their origin. In the example of pillage and plunder of the Summer Palace in Beijing by the English and French troops, which marked the Second Opium War, the author specifically analyzes the views of Victor Hugo on vandalism, and his standpoint as the representative of the French Romanticism in the defence of Chinese art and civilization., U radu se kroz specifične primere iz istorije umetnosti sagledava problem pljačke i konfiskacije umetničkih dela i antikviteta kao tradicionalne posledica rata, njihovo prenošenje iz izvornog konteksta i društvene posledice. Razmatraju se i pojedina aktuelna pitanja restitucije umetničkih dela i antikviteta u zemlje njihovog porekla. Na primeru pustošenja i pljačke Letnje palate u Pekingu (1860) od strane engleskih i francuskih trupa, koje su obeležile Drugi opijumski rat, autor posebno analizira odnos Viktora Igoa prema vandalizmu i poziciju ovog predstavnika francuskog romantizma u odbrani kineske umetnosti i civilizacije.", publisher = "Ministarstvo unutrašnjih poslova Republike Srbije, Beograd", journal = "Bezbednost, Beograd", title = "This is what civilization has done to barbarism, Eto šta je civilizacija učinila varvarstvu", volume = "59", number = "3", pages = "53-78", doi = "10.5937/bezbednost1703053S" }
Samardžić, R.. (2017). This is what civilization has done to barbarism. in Bezbednost, Beograd Ministarstvo unutrašnjih poslova Republike Srbije, Beograd., 59(3), 53-78. https://doi.org/10.5937/bezbednost1703053S
Samardžić R. This is what civilization has done to barbarism. in Bezbednost, Beograd. 2017;59(3):53-78. doi:10.5937/bezbednost1703053S .
Samardžić, Renata, "This is what civilization has done to barbarism" in Bezbednost, Beograd, 59, no. 3 (2017):53-78, https://doi.org/10.5937/bezbednost1703053S . .